Author Archives: edpmarriott
Design Me: Route Building
Ah… it’s an exciting day on Boards & Barley. Today is the first Design Me article of the year! What is a “Design Me” article? It is a design exercise. Like soccer players who run for practice to exercise their muscles, I think it is important for designers to exercise their brains. So every once in a while I choose a random theme/mechanic/victory condition and see if I can come up with a decent game design on a whim.
Today’s random stuff, via Boardgamizer.com, is this:
Note: for this design me I am changing the victory condition. Instead of solving a puzzle or mystery, the player who builds the best route will win.
Armada Galactica
In Armada Galactica you are a galactic superpower trying to create a new trade route through whichever galaxy you are currently in.
As a galactic superpower it is your job to make sure you are providing enough vacation spots for your population. The way to do that is to spread your empire throughout the galaxy. You can colonize a new location if it is within a certain location of your currently existing locations. But there are a few steps you must take. These include SCOUT, TERRAFORM, and then COLONIZE.
On your turn you can also perform some research upgrades. Each planet or moon you colonize will begin with basic capabilities based on its characteristics. As you bring technology along your colonization route, those planets/moons will get better at allowing you to reach further and explore/colonize more distant locations.
So the concept is to build a route from planet to planet by utilizing the characteristics of those planets to allow you to further colonize. The winner will be the person who has built the best route by the end of the game.
Components
- Game Board
- Planet tokens
- 12 Rocket meeples (3 each in four different player colors)
- 40 Colony tokens (10 each in four different player colors)
- Research tokens
- Population cubes
How to Play
A game of Armada Galactica is played until someone has placed their tenth colony token. To place a colony token, the desired planet/moon must be able to support enough population. A planet/moon can support enough population if it has been terraformed correctly for the type of body it is.
Players will each have a home planet (not dissimlar to Ascending Empires – I’m trying hard not to simply duplicate that game here – I feel I’m failing at that). The board is composed of a grid of planets/moons. Each location will have randomly received a planet token, so the grid is never the same from game to game.
There will be four main types of celestial bodies that you can try to colonize. These are:
- Earth-like
- Mars-like
- Europa-like
- Water worlds
Earth-like
These planets are the rarest in the game. But they are the easiest to colonize. Without the need for terraforming these are the hot spots that you’ll want to go after!
Mars-like
These planets were once Earth-like, so it will take some work to get them back to that state. That means you’ll have to devote some effort to terraforming. But these are still relatively easy to colonize.
Europa-like
These are planets that possess water under layers of ice or rock. Terraforming won’t be enough on planets like these. You’ll need specialized research that can warm the planet from the inside to sustain life on it’s surface.
Water Worlds
These planets are basically covered in water. So terraforming isn’t exactly possible. Instead you’ll have to haul a serious amount of infrastructure to the planet to essentially create boats/structures large enough to sustain a large population while floating on the water. If your terraforming research isn’t very good you may want to build a network out of these bad boys.
Those are the four main types of celestial bodies you will encounter while attempting to grasp galactic supremacy. Yet the goal is not simply to build all ten of your colonies. Scoring is also based on the populations you can sustain.
On your turn you can choose either EXPLORE, RESEARCH, or POPULATE as your main action.
The EXPLORE action allows you to use your three rockets to scout the nearby planets. All of you network must be in a continuous line, so it’s important to look ahead and see what’s coming. Also during the EXPLORE action you can transport equipment to the newly selected planet. This could be infrastructure, terraforming equipment, or research scientists.
The RESEARCH action allows you to utilize scientists that you have placed on your planets to increase that planet’s capabilities. For example, if a planet has a high exploratory research level, then if the rockets are launched from that planet they can travel twice as far, which would allow you to spread your network over a wider area. If your planet has great earth-like resources, and if you increase its terraforming capabilities, then it can become a hub for your terraforming infrastructure to expand to new locations. Research will play a key role in the game and you will want to maximize the capabilities of your planets.
The POPULATE action allows you to colonize a new location. This can only be done if that location has met the colonizability standards. Players will place a colony token on the new location. This action can also be used to increase the population in your existing colonies. This is a key to victory since population is the main scoring category.
On your turn, in addition to the main action you can also perform a secondary action. These are like dumbed down versions of EXPLORE, RESEARCH, and POPULATE. But they can allow you to take advantage of certain planetary characteristics if you really wanted to accomplish something awesome on your turn.
The Endgame
Once a player has placed their tenth colony, all players will have one final turn, including that player. At the end of the game players will total their population cubes and their colony tokens. Each colony token counts as three population cubes. So players could earn a maximum of 30 points from their colonies alone. Research levels and infrastructure will also be scored on a low-level basis. The idea behind awarding points for those is because they are what set the population limit for a player.
I expect final scores to be in the 70-90 range. I had a lot of fun coming up with this design despite not creating any graphics or images for it. That’s a rare thing. I really like this idea and I think I might move forward with it. I am still on the lookout for the other game that I’d like to put on The Game Crafter this year. If this comes together nicely maybe it will be that game.
Your Opinions…
Do you have any thoughts about this design? Are there any obvious problems? Are there areas where I really fell short?
Don’t forget to exercise your brains!
Flavor Text: What’s the Verdict?
Yesterday I solicited opinions on Twitter regarding flavor text:
I was interested in finding a consensus on whether or not it is worth the time to add flavor text to cards, or game components in general. I was pleased with the number and variety of responses the tweet received.
For those who do not know what flavor text is, here is a definition from Wikipedia:
Flavor text is the name given to text for action figure character backgrounds, playing cards, or within the pages of a role-playing game’s rulebook. While appropriate to the product’s or game’s story concept, it usually has no effect on the mechanics of the game, but instead serves to add realism or characterization to the item in question. Flavor text is often the last text on a card or on the rear of a toy card or package, and is usually printed in italics or written between quotes to distinguish it from game-affecting text.
Flavor text is used to full effect in Magic: The Gathering. Here is a page from Wizards of the Coast listing some favorite flavor text additions to cards (Thanks to Matt Loomis for the link). While the flavor text in the M:tG cards is typically used to describe the character on the card, I think there are other ways of utilizing flavor text. But before I get to that, let’s take a look at a few of the responses I received from my tweet…
All Those in Favor:
Adam Buckingham: “It’s fun, but I tend to ignore it mostly.”
Seth Jaffee: “I like flavor text, gives me something to read while waiting for others to go. But don’t bury game text in flavor text!”
Isaac Shalev: “I love it when it’s good. MTG is the best-in-show at it. Evocative, haunting, immersive.”
Thomas Eliot: “Enjoyable! I love the flavor text on Professor Pugnacious: it’s all thematically appropriate quotes”
Stephanie Straw: “Noooooo! I *love* flavor text! But if you do it, don’t just toss it on there. Make it LEGIBLE and allow it to add value.”
David Chott: “Thanks for reporting back! I like flavor text, but have been leaning against using it in Lagoon to reduce cognitive clutter.”
All Those Not in Favor:
I was surprised at how few negative responses there were. I thought more people would hate it and wish it didn’t clutter things up.
Alex Strang: “Usually distracting IMHO”
Grant Rodiek: “I’m generally against it mostly because most people are bad at writing. Being creative does not mean good at writing.”
Check out Grant’s awesome blog post about flavor text!
All Those Who Are Indifferent:
Nolan Lichti: “When it’s tiny, like in Ascension, I don’t mind, and it can be enjoyable. Just don’t sacrifice clarity of game play for it.”
Matthew Riddle: “I ignore it but it doesn’t bother me.”
Danny Devine: “I also always ignore it, but as long as its clear that its flavor text “italicized and tiny” I don’t mind it.”
Jason Smith: “rarely look at it except when I’m bored from waiting on other players to take their turn”
Chris (@copax): “I rarely look at it to be honest. I’d prefer larger iconography or more detailed “power” descriptions”
Chris Darden: “ignored”
64oz Games (Richard): “I think it depends a lot on the game. On a Euro style game I expect it to be ignored, but a more thematic one it could be read”
Rob Lundy: ignored… “Unless it’s funny…. like…. very funny”
Brian Henk: “I believe it can add some fun to the experience, but it’s not worth the complexity of more words on the cards.”
My Verdict: I Favor Flavor!
Based on the feedback I think flavor text can be used on game components, but that it should be done in subtle, non-distracting ways.
The M:tG cards include flavor text to immerse you more into the world of the game. That works really well. It is there for those who want to read it, and others can ignore it. And it occupies a portion of the card that would likely otherwise just be background art.
So I am in favor of flavor. I like it when subtle, creative, and clever information can be added to a game that further immerses you into the world of the game under the following conditions:
- It doesn’t distract.
- It doesn’t take long to read – keep it short!
- It adds to the game’s experience.
Thanks to everyone who responded to my tweet. I am planning on using flavor text for Quantum Orcas, but only on the backs of cards that do not flip during the game. Since I have the backs of those cards available I could easily slap on the logo or some artwork. But I decided that I would prefer some flavor text instead.
The bottom line for Quantum Orcas is that people can completely ignore it. And that won’t bother me at all.
2013 in Review
Welcome to 2014! Today I wanted to look back on my experiences in 2013, point out some highlights and mention some stats from the blog. (Unfortunately WordPress won’t send me one of those fancy Year In Review stats thingies since this blog is not quite 1 year old).
January 11th: Scoville Playtest #1
It was nearly one year ago that I playtested Scoville for the first time. I had been working on it a lot and had just had a breakthrough that made it ready for testing. At the time I had no idea that Scoville would make 2013 what it did.
The playtest went really well. Of course there were tweaks to be made. But the overall feeling coming out of that playtest was, “Holy cow… there’s a lot more game here than I thought!” I playtested Scoville 6 more times in January.
Protospiel-Milwaukee
I took Scoville to Protospiel-Milwaukee and it was well received. I even got Ryan Metzler to play it! I also got to meet Grant Rodiek, Matt Worden, and Chevee Dodd. If you like game design at all you should be following those three awesome gentlemen on Twitter.
If you want to learn more about my Protospiel experience check out my article: Protospiel Recap
Shortly after Protospiel Tasty Minstrel Games requested a copy of Scoville for evaluation. I obliged, of course, and sent them a copy ASAP. Overall it seems it was definitely worth it to attend Protospiel! Special thanks to Chevee Dodd for his kind words in his recap article: Weekly[ish] Update – 3-15-13
Bellwether Games Interview
One of the highlights of 2013 was being interviewed by Bellwether Games. They interview a designer a month and it was a privilege to join those ranks! You can read the article here: Ed Marriott Interview
TMG Announces Scoville
By July I had signed a contract with Tasty Minstrel Games for Scoville. They announced the deal on July 21st and I was so happy to be able to tell the world! I wrote this article, which includes an awesome logo revision for TMG, about the contract.
Boards & Barley Stats & Stuff
I started Boards & Barley last January with the intent of writing about home brewing and game design. It ended up being heavily tilted toward game design, but I don’t think that’s a problem. Here are the monthly viewership stats:

Overall the site was visited by 90 different countries (that still boggles my mind!). Here’s a look at the map:

22 countries viewed B&B once in 2013.
The top five most viewed articles were these:
- Prototype Art: Cubes in Inkscape
- Prototyping Techniques Applied to Scoville
- Monte Carlo Simulations for Game Design – By Adam Buckingham
- The Benefits of Pretty Prototypes
- Prototype Art: Icons in Inkscape
Apparently people really like reading about prototyping. I’ll definitely write more about that.
The most clicked items were these:
- Scoville PnP Files on BGG
- Spotlight On Games Components List
- Inkscape Cube Art via the Prototype Art: Cubes in Inkscape article
- Tiles from Print & Play Games
- Boardgamizer.com
And the top referrers (other than Twitter and Facebook) were:
But 2013 Was All About the People
While it was great that I signed my first game contract and wrote a bunch of stuff and got some people to read it, the real highlight of 2013 was getting to meet so many awesome people in the game design community.
At Protospiel-Milwaukee I met a bunch of awesome designers. I owe them all at least two PBRs each!
At GenCon 2013 I met about 30 designer/publisher people I had not already known. Thanks to everyone who was willing to sit down and spend their precious time playing my Scoville prototype. Also thanks to Matt Worden for inviting me to speak on the Protospiel panel.
At BGG.con I met another 15 people I had not already known. Thanks to all those who were part of the 22 Scoville demos that I ran during the con. Thanks for taking the time to play my prototype when all the hot Essen games were only a few tables away.
Here is a big list of awesome people I met throughout the year (or that I had previously met and got to hang out with again during 2013) (I likely missed a few of you. For that I am terribly sorry!):
Chevee Dodd, Grant Rodiek, Matt Worden, James Mathe, Scott Metzger, Matt Loomis, Carl Klutzke, Eric Jome, JT (The Game Crafter), Brett Myers, Kane Klenko, Espen Klausen, Ryan Metzler, Steve Dast, Peter Dast, Francois Jolie, Neil Roberts, Scott Starkey, Michael Mindes, Seth Jaffee,Ken Grazier, Jason Tagmire, Nolan Lichti, Kevin Kulp, Tom Vasel, Eric Summerer, Chris & Suzanne Zinsli, Jay Treat, Cole Medeiros, Robert Couch, AJ Porfirio, Eric Leath, Mike Mullins, Jeff Large, Kevin Nunn, Don Beyer, Patrick Nickell, Adam MacIver, David Chott, Darrell Louder, Ted Alspach, Ben Rosset, J. Alex Kevern, Benny Sperling, Jax Sperling, Matthew O’Malley, David Miller, Rob Lundy, Michael Coe, Corey Young, TC Petty III, Andrew Tullsen, Chris Kirkman, Jamey Stegmaier, Ben Pinchback, Matt Riddle, Alan R. Moon, Gil Hova, Andy Van Zandt, Dan Manfredini, Rael Dornfest, Scott King, Matt Leacock, Matt Wolfe, Randy Hoyt, Scott Morris, Quinns (SUSD), Colby from Plaid Hat, Norman from Big Game Reviews, Mike Eskue, The I’m Board With Life crew, Brian Frahm, Chris Darden. And there are some many more of you on Twitter that I am looking forward to meeting in person!
Special thanks to Chris Kirkman of Dice Hate Me games for being willing to evaluate a game from an unknown designer.
Special thanks to Michael Mindes and Seth Jaffee of Tasty Minstrel Games for being willing to accept a game from me and for the contract.
Special thanks to Grant Rodiek, Matt Worden, Chevee Dodd, and Brett Myers for your awesomeness at Protospiel-Milwaukee and your willingness to share so much info on the game design community.
Special thanks to my level 1 friends Jeremy Van Maanen, Adam Buckingham, and Ben McQuiston for being willing to playtest my games, whether good or bad, and for telling me the truth about how good or bad they are.
Most special thanks to my wife Erin for putting up with my piles of chits and cubes and cards and paper scraps all over, and for submitting to the earliest and worst playtests of all my game ideas. Love you babe!
2013 was an amazing year and I can’t wait to see what 2014 will bring! Tomorrow I will post an article about my designing and brewing goals for 2014. Thanks for reading!






