Coarse vs. Fine: Editing your Game
When Michaelangelo started carving David he didn’t grab his tiniest chisel and smallest hammer. He grabbed his big chisel and big hammer (I assume). Why? Because he needed to coarse cut the stone away to roughly the right size. Then once the bulk of the stone was removed he could use his fine tools to chip away slowly.
This Coarse Vs. Fine concept is the core of this quick article on game design.
When designing a game it is often easy to think of a lot of awesome things that could be in the game. I know there are people who put in everything but the kitchen sink into their game designs and then remove things as we go. This coarse/fine idea fits well with that design concept. There are others who start with a simple mechanic or a theme and then add things only when needed. This article doesn’t address that situation. I’ll cover that design realm another time. But for those of you who start big and remove the unnecessary components, keep reading!
When you start a game design you’ll choose a mechanic or a theme or both. This is like going to the quarry and picking out the stone you’ll start with for the sculpture. When picking the stone you want to make sure it is big enough, has the right grain structure, possesses the desirable color and so on. Similarly, when choosing the mechanic and theme you’ll want to make sure you’ve got a lot of different components that fit with the theme and mechanic.
So go ahead and make your choice. Once you’ve got your stone it’s…
This is where you design the game, prototype it, and play it.
Once you’ve played it there will likely be parts of the game that don’t work, are broken, don’t make any sense, or aren’t fun. Take the hammer to them!
Like making a sculpture, once the stone is in your workshop you typically sketch a little on the block and then start taking the hammer to it. It is time to take away big chunks of the stone that you know you won’t need. Don’t be afraid to remove those big chunks of stone.
Back in the game design world, this is where you remove those chunks of the game that were broken, didn’t make sense, or weren’t fun. Don’t be afraid to get rid of them.
If you have things that don’t make sense thematically… Hammer Time!
If you have mechanics that don’t work right… Hammer Time!
If mechanic X isn’t any fun… Hammer Time!
If you aren’t happy with something… Hammer Time!
The point here is to narrow the focus of the design. Take away the things that obviously don’t belong. If something is iffy, save it for later. Playtest it over and over until you feel you’ve removed all the big chunks. Then put away the hammer and grab the chisel.
I know that “Chisel Time” doesn’t sound as awesome as “Hammer Time” but it’s much more important in terms of game design and development. It’s easy to break away the big chunks of a game. But using your fine tools to craft something with elegance and class is very difficult.
Chisel Time is really where you move from game design into the game development realm.
Once you have finished with the hammer you are left with a block of mechanics, components, and concepts that closely resemble a final product. The nitty gritty down and dirty work happens in the Chisel Time phase. This is where you playtest, tweak, playtest, tweak, playtest, tweak, and on and on. You’re no longer removing large chunks from the design. Rather you are polishing the remaining elements to make them as streamlined and perfect as they can be.
The whole idea here is to give a perspective about how game design works. Relating game design to sculpting stone allows me to have the right mindset when I’m working on a game design. Early in the process it is important to put the elements together and make a prototype. You can’t take a hammer to it unless you know what you want to remove.
Once you’ve hammered away the big chunks then your mindset changes. You’ve got the mechanics you want. Now it is important to figure out how to balance the mechanics and the currency and the other elements in the game. You go from removing elements to refining elements. That’s a lot of work, but it is also one of the most rewarding parts of the design process. Just a couple weeks ago I had refined an element for Brooklyn Bridge and one of the players mentioned how it took it from “Good” to “Special.” That’s really what you’re looking for during Chisel Time.
How do you design games? Do you start big and remove things as you go? Or are you the opposite where you start with a simple element (mechanic or component) and then add the things that are needed?